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King Lear, one of Shakespeare's darkest and most savage plays, tells the story of the foolish and Job-like Lear, who divides his kingdom, as he does his affections, according to vanity and whim. Lear’s failure as a father engulfs himself and his world in turmoil and tragedy.
- Sales Rank: #647789 in Books
- Published on: 2007-05-24
- Original language: English
- Number of items: 1
- Dimensions: 7.70" h x .80" w x 5.00" l, .45 pounds
- Binding: Paperback
- 215 pages
About the Author
Burton Raffel is Distinguished Professor of Arts and Humanities Emeritus and professor of English emeritus, University of Louisiana at Lafayette. The most recent of his many publications is Selected Poems by Nicolas Boileau, published by Yale University Press. He lives in Lafayette. Harold Bloom, Sterling Professor of the Humanities at Yale University, is the author of many books, including The Western Canon, Shakespeare: The Invention of the Human, and Jesus and Yahweh: The Names Divine.
Most helpful customer reviews
27 of 27 people found the following review helpful.
FOLGER Shakespeare Library Edition of the Tragedy of King Lear BETTER THAN EXPECTED!
By Love Thy Enemy
I have reviewed several current editions of King Lear and other Shakespearean plays, and was somewhat disappointed in the Folger edition of King Richard III. Nevertheless, the Folger Shakespeare Library edition of King Lear appears to be both accessible and scholarly, with solid reasoning behind its balance of the First Quarto with the First Folio versions of this intense and telling tragedy which we do well to revisit now.
My first love will always be Prof. Tucker Brook's redaction in the The Tragedy Of King Lear (The Yale Shakespeare) which against the academic preferences of the time chose the First Quarto over the First Folio. The reasons given by the Late Prof. are compelling, and brought about a generation of conflated editions which combined the two versions. The Quarto came first in publication, of course, and is longer; the Folio is later and does not contain several lines present in the Quarto (I believe about three hundred) yet introduces several (perhaps one hundred) of its own.
And so we have a generation of productions which sought to combine the two. For instance we have an early recording of Paul Scofield as the King using a conflated edition and a later recording from his eighties in which only the Folio is used: King Lear (Naxos AudioBooks), following as it states the The Tragedy of King Lear (The New Cambridge Shakespeare), a strictly First Folio presentation. The greatest available recording is of course the Branagh - Gielgud production King Lear (BBC Radio Presents) which must be purchased and repeatedly heard, as it is real. Be certain to get the accompanying brochure.
Be that as it may, with this brief description of the history of this tortured text, let me state this present edition from Folger presents solid reasons for its always arbitrary choices. While stating their preference for the First Folio edition, they actually publish here a conflated version, with variant readings in a variety of brackets and poiinted parentheses, with explanations. They have produced therefore something here of great value, yet at a small price and therefore accessible to any classroom, production company or reader.
As usual the Folger diverges from the usual Critical Edition format of a third of a page of text, a strip of variorum and a third of a page of notes to the text above. Folger correctly fids more readable a diptych approach. In opening the book to the play, the reader discovers on the right hand page the text and on the left hand page notes. Further specific notes are discovered in the back.
In short (if it is not too late to write that) this book may approach any other critical edition, and passes many (let us not mention the unfortunate Joe Pearce's attempt). It presents a thorough examination of Shakespeare's life and theatre, suggestions on reading "his" language, and on reading Lear, this great tragedy for our times. A critical essay by Susan Snyder is included in the back, as well as suggestions for further readings. I find this edition in brief very useful for any new scholar of Lear, and I only wish I could now afford the new King Lear: New Critical Essays (Shakespeare Criticism), or even Critical Essays on Shakespeare's King Lear (Critical Essays on British Literature), and the rest.
0 of 0 people found the following review helpful.
would not recommend shakespeare on kindle unless you are already very familiar ...
By Beatriz
I never studied this one in school. I need the notes on the opposite page explaining the elizabethan terms, otherwise it is hard to follow. would not recommend shakespeare on kindle unless you are already very familiar with the play or pretty expert in language of that time period.
0 of 0 people found the following review helpful.
Kindle version not annotated.
By Inamorato
Despite the title, the Kindle edition is not annotated.
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